There is no doubt that for architects, windows are central design elements whose size and texture have a decisive influence on the overall look of a building. Since the beginning of the modern age, planners have responded to the desire for brighter, more open architecture.
In fact, the history of modern architecture could even be explained in terms of the growing importance of ever-larger window areas. And like everything else in architecture, this development also has a history: the famous Farnsworth House by Mies van der Rohe is one of the earliest embodiments of modernism that accord to glass the role of a design element with great creative power.
Planned as a weekend residence for Edith Farnsworth, a doctor, and completed in 1951, the one-roomed house stands in a wooded park in Plano, Illinois, and is today a site of pilgrimage for modern architecture.
Here the view of the countryside is truly remarkable – but equally remarkable is the view through the large windows into the interior of the well thought-out house.
For the former Bauhaus director, his minimalist design in glass and steel was a major step and a landmark in his oeuvre: "This house is much more important than its size or cost would suggest. It is a prototype for all glass buildings," commented Mies van der Rohe in retrospect.
swissFineLine has been fulfilling the desire for unlimited transparency since the beginning. The family company’s many years of experience in the production of large glass elements is decisive, because details and processing quality are crucially important here. The company is committed to one goal: making the beauty of the landscape that surrounds a building as visible as possible while making everything that is technically required for this purpose disappear as much as possible.
It could also be expressed like this: the people at swissFineLine are not satisfied until the technical features of the construction of large glass surfaces are virtually invisible, and yet everything still functions perfectly. The great art here is to reduce to a minimum all the elements which make a large sliding window a safe, flexible and attractive design element.
To put it in the famous three words of Mies van der Rohe: "Less is more": more view, more insight, more elegance in the overall composition of the building.
"We regard ourselves as partners to architects and property owners, and always have the goal of actively supporting them in the implementation of their ideas and getting the best out of every project."
Since 1886 and managed throughout by the Berger family, swissFineLine today enjoys an excellent reputation among architects – particularly on an international level.
In recent decades, the former forge has developed into a successful window manufacturing company with around 50 employees, and is now managed into its fourth generation by brothers Kurt and Hansrudolf Berger:
Text: Gerrit Terstiege